There is so much to learn!

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Cómo se forma la lluvia? - VIX

There is so much to learn!

Basic Camera Functions

By: Victoria Gomez Blanco

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Welcome !

In this presentation, I will review the basic camera functions, so have a seat, bring a hot cup of coffee with you and enjoy the journey! If you are not keen on reading, you can also listen to the presentation with the sound bottom in every page. At the end of the presentation, all the quotations of the information and images I used will be shown.

Start

Start

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Camera Functions

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Your Turn to Try!

Turn on your camera, play with it’s options and take some awesome photos!

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Which File Format do you need to choose

sony a7iii manual

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JPEGs or RAW files?

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JPEGs

M ost common M ore convenient to work H ighly compressed into a small size R educed number of pixels

Formato JPG o RAW? Cuándo usar cada uno

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La mitad de toda la lluvia anual del mundo cayó en solo doce días - Quo

IMAGE RESOLUTION

D etails within a digital picture, such as its patterns and textures Camera and image resolution is measured in pixels per inch or PPI PIXELS: tiny individually colored, light-sensitive squares, or picture elements, that make up a digital image file

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S mall, Medium, or Large JPEG ?

Small JPEG files let you capture a lot more images on your memory card and they also process faster big JPEGs have better quality.

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RAW Files

T he purest form of digital capture O nly one size A bigger record of the data captured by the sensor C apable of preserving all the original image information M ore flexibility during postproduction by allowing for the creation of higher quality images Contain two different kinds of information: the image pixels and their metadata, which are tiny bits of digital information on file format, exposure adjustments, and color balance.

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White Balance

RAW CONVERTERS Use to find proper colors White balance: removes unrealistic colors from photographs. Find the WB function or auto white balance (AWB).

What the ... White Balance? | Boost Your Photography

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Choose one carefully!

RAW vs JPEG Format Editing in Lightroom

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La lluvia “cálida”, rayos y el Mediterráneo otoñal

Basic Lens Control

A bility to focus on an object by making it sharper and less blurry C ontrols the amount of light that comes through to expose the image sensor and Establishes depth of field or the extent of the focus from foreground to background .

How to Buy the Best DSLR and Mirrorless Camera Lenses for 2021 | PCMag

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P rime lens or zoom lens?

P rime lens is your standard normal lens that provides a fixed focal length A zoom lens offers a range of focal lengths.

Why You Should Go Beyond the Kit Lens | B&H Explora

Zoom lens

Prime lens

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P rime L ens

Not interchangeable Usually offer better optical quality with wider maximum aperture It’s lighter and smaller As you cannot zoom, you will have to move physically closer to your subject to get that up-close shot.

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La mitad de toda la lluvia anual del mundo cayó en solo doce días - Quo

Zoom L ens

Broad range of angles and magnification options Zooming in on a subject allows you to tighten your framing to make the scene bigger, with less visible background. Zooming out, on the other hand, loosens the frame so the subject appears smaller and further away, giving you more background.

Zoom Comparison - Dahua PTZ x48 - YouTube

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Caution !

Before you remove your lens, read the user manual to ensure you are handling the functions of your specific model correctly. The lens is one of the most valuable parts of the digital camera and can be very expensive to repair and replace.

Cuidado en las redes sociales - Profesora de Informática

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La lluvia “cálida”, rayos y el Mediterráneo otoñal

How to attach and remove lenses from your camera

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Focus

Autofocus: Just press the shutter button (or power button) halfway down to see the focused subject. You will see the image come into focus and there will be some sort of status indicator in the viewfinder or on the LCD screen when the focus “catches” on the right setting.

Manual focus: Can improve your photographic technique The process is a bit slower than AF, but it will work in any situation regardless of lighting.

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Seems difficult, right? Don’t worry, just keep shooting, no matter what! Take a break if you want, when you ready, click next and continue exploring photography!

NEXT

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Exposure

Control the amount of light to reach the image sensor Opening up the aperture and making it bigger will let a lot of light in, whereas closing it down smaller lets in less light Function automatically or aperture manual

What is exposure? Exposure in photography explained

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F-stop adjustments modify how much light is entering the lens.

L arge lens opening for shooting in low light C losing it down smaller in more light F ast lens is also handy for freezing moving subjects that might otherwise come out blurry

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Angle of View

The view provided by a lens, whatever it sees and captures, relates to the process of magnification. Short-focal-length lenses have a wide angle of view, so subjects appear further away. Long-focal-length lenses have a narrow angle vantage point, which magnifies objects and makes them look bigger and closer. This perspective and overall magnification of a given focal length is directly related to the size of the camera’s image sensor.

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Depth of Field

For maximum depth of field, you can set a small lens aperture and focus on a subject that’s not too close. If you want to get creative with focus and use it selectively to highlight expression or effect, you would set a wide lens aperture and focus at a close distance

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Controlling Light

It is central to the process of photography. A light meter measures the illumination around the subject and suggests a combination of f-stop and shutter speed to produce the right exposure for the ISO you’ve set.

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Full automatic (AUTO, A)

This mode allows the camera to choose Useful any time you just want to focus and take a picture. Minimum experience needed!

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Program Autoexposure (P)

This lets the camera set up everything but ISO, white balance, and flash functions. This allows you to still point, compose, and shoot—but you have more control over the visual elements in your pictures because this mode gives you the option to set exposure to tweak depth of field or freeze motion.

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Subject-program Autoexposure

In this you choose the setting, such as portrait, landscape scenes, sports, etc., and the camera chooses the right exposure for whatever subject you select. But if you want your portrait subject to have more depth of field that normally found in that mode, you will need do it yourself.

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Aperture Priority Autoexposure (A or Av)

This lets you choose the f-stop, and the camera selects the corresponding shutter speed. This provides the advantage of autoexposure functions, which are simple and spontaneous, while also controlling depth of field and low-light scenarios.

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Shutter-priority Autoexposure (S, T, or Tv )

With this you choose the shutter speed, and the camera selects the corresponding f-stop. Helpful if you are concerned about holding the camera still enough to take a good picture and set the shutter speed faster to avoid shaking—the camera will adjust the f-stop according to your selection.

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Manual Exposure

This means you set both the f-stop and the shutter speed all by yourself, guided by the handy light meter reading, of course. As you select different combinations, you will see a display in the viewfinder or LCD to help you find the proper exposure. Use this when you want to go full-expert and need total control over f-stop, shutter control, and your overall exposure, including depth of field and motion. You are in charge, not the camera! This option offers maximum flexibility and control over the final results.

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Flash Functions

O ffers a “flash” of light from the camera at the exact moment the shutter button depresses and a picture is taken, thereby giving a dimly-lit scene that extra bit of needed exposure. C an also be used to freeze the motion of active subjects, as well as brightening up dark, shadowy areas from harsh, direct, or inadequate lighting.

Libel | Joe Mills

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Red Eye Alert!

H appens when a flash fires at a pupil that is dilated in low lighting. C an be avoided by using your camera’s red-eye-reduction setting, which causes the camera to fire a few short bursts of light before the picture snaps. As a result, the eyes of your subject respond to the light and fail to dilate, so there’s no weird redness. I t is also possible to retouch red-eye images after the fact by using an image-editing program.

A person’s eyes are the only thing visible in the image with a bright red cast to the pupil as the eye picks up the flash.

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That's all for today!

Thanks for watching! I hope you didn’t overwhelmed with the information so much, photography seems difficult but once you are experimenting, you will have hours of fun for sure!

Quotations

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Quotations

Information in lesions 01 to 05, Unit 2, Dual Diploma Digital Photography  Page 5, imagine Sony a7iii manual Page 6, imagine Formato JPG o RAW? Cuándo usar cada uno, nirmalramo.com Page 16, Zoom Comparison - Dahua PTZ x48, Dahua Technology Srbija Page 13, How to Buy the Best DSLR and Mirrorless Camera Lenses for 2021 | PCMag Page 11, What the ... White Balance? | Boost Your Photography Page 14, Why You Should Go Beyond the Kit Lens | B&H Explora Page 20, What is exposure? Exposure in photography explained Page 23, Encuadrar con las manos: Pensar en la imagen, no en la cámara, Disparos Digitales Page 32, Don’t ruin your shot with red eye! Photo by PeterPan23, Public Domain Page 24, Lesson 04: Controlling Light, Dual Diploma Digital Photography