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Sharing Secret Manners in Engaging in Creative Projects Related to Disaster And Some Practical Examples

ART FOR RESILIENT COMMUNITIES (ARC) NETWORKS 18 APRIL 2021 GILANG DAMAR  CO-FOUNDER OF ARC NETWORKS

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"Wind", "Water", and "Soil"
In Education of disaster preparedness
for Local Communities
A Summary of Today's talk

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A person  who  brings “seed” to the community/soil.  Its role is to bring stimulation.

Those who stay  in  the community.  Be rooted in the community and continue the activities.

A person  who  stands by the community, continues watering the seed, provides initial support.

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Citizens
Kids
+Creative
Enjoyable, Beautiful,
Moving, Extraordinary
Artists
NPO

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Citizens
Students
Kids
Designer
+Creative
Enjoyable, Beautiful,
oving, Extraordinary
Artists
NPO

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The Philippines and Indonesia are two of the most disaster prone countries in the world

Two of the countries first and greatly affected by Climate Change

1000 historical record of earthquake and 95 tsunamis since 1500

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What do art
and disaster
have in
common?
Power.
Art for Resilient Communities (ARC)
Gilang Damar Setiadi (Indonesia)
Juan Miguel Torres (Philippines)
Ralph Cabinta Lumbres (Philippines)
Akira Sakano (Japan)
EcoRife Team (Thailand and Cambodia)
ARC or Art for Resilient Communities is a project that aims to
strengthen disaster resilience through participatory art-based
activities in coastal communities in South East Asia. This is done
through participatory photography (Photovoice), participatory
3D mapping, and participatory instrument building and
performance.
ekong Great
Yogyakarta
Flas
od
od
Ty "n
Yo
Flash Flood

DESIGN CHALLENGE STATEMENT HOW MIGHT WE STRENGTHEN DISASTER RISK RESILIENCE IN VULNERABLE COMMUNITIES USING ART?

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ARC FRAMEWORK takes approach of Art-Based Community Development and Education (ABCDE) and integrates it with Integrated Risk Management (IRM)

IRM WITH A FOCUS ON  COMMUNITY DEVELOPEMENT

ART BASED COMMUNITY DEVELOPMENT & EDUCATION

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PHOTOVOICE
PARTICIPATORY
PHOTOGRAPHV
Research
Needs Assessment
Capacity Assessment
Resource Mapping
PARTICIPATORV 3D Risk Assessment
Sculpture and
HAZARD
Woodworking Workshop
eonnuu•tv
DEVELOPMENT
Setting up or
strengthening a
local community
Eco DRR group
Contingency
Planning
Collective Experience
xusue AND
PERFORMANCE
Environmental Awareness
DRR Experiences and History
Teaching DRR Concepts

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Community based/Participatory = SUSTAINABILITY

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1. Target Communities = 4-6
1.
Villages,'Towns
2. Total number of team members,
volunteers and project based individuals
2.
= 20-30
3. Direct (workshop and other activities)
participants/audience = 50C) -1,000
3.
4. Beneficiaries of the 3D hazard map
4.
3,000 - 6,cm
5. Social media reach = 5,00C) audience
reach through social media sites
3 P3DM maps that can used to
identify hazard prone areas as well as
important natural resources
500-700 photographs showcasing
natural resource use in small island
communities
3 Performance Arts
2 exhibits (1 in Indonesia, 1 in the
Philippines)
Estimated total of reach= 8,000 -
11,000 Indiy(duals (opline and direct
participants)
oute01E
eons

Sharing Secret Manners in Engaging in Creative Projects Related to Disaster And Some Practical Examples

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