SORRY TO BOTHER YOU. Group assignment Diversity, Equality and Inclusion in Organizations.
[Audio] DIAN. Kofi Dabla Titus Ouarar Anouk Pelegrina Jimenez Antonio Roorda Dian Sebatunzi Jonathan Shinigiro Clement.
[Audio] DIAN Comedy drama film Themes: race, capitalism, power dynamics workplace The Guardian Cassius Green, telemarketer White voice Code-switching for acceptance and advance in his career Morally corrupt practices Choice between personal advancement and standing with his colleagues and friends against exploitation.
[Audio] DIAN Dehumanization TV show Suffering for other's entertainment Commercials Slave labor Dehumanization of lower-class workers in capitalist and meritocrat society.
[Audio] DIAN Intersectional lens Powerstructures Kimberlé Crenshaw.
[Audio] TITUS Race and class Class and employment (opportunities) Race and gender Collective action and individual strategies are crucial to overcoming limitations or challenges.
[Audio] TITUS Meritocratic system Rap scene Hierarchy.
[Audio] TITUS Capitalistic, exploitative and hierarchical RegalView and WorryFree.
[Audio] JONATHAN - Ashcraft – Glass Slipper. ASHCRAFT: THE GLASS SLIPPER: “INCORPORATING” OCCUPATIONAL IDENTITY IN MANAGEMENT STUDIES (2013).
[Audio] JONATHAN People derive identity from work Glass slipper – bilateral view Work derives identity from the associated people as well.
[Audio] JONATHAN. THE GLASS METAPHOR. ‘’By now, glass has become a familiar metaphor in management studies for capturing subtle power processes and outcomes related to social identities like gender and race. The utility of glass metaphors lies in the capacity to name and evoke systemic patterns that are otherwise elusive.’’- Karen lee Ashcraft.
[Audio] JONATHAN Alignment of occupational identity with embodied social identities Metaphor.
[Audio] JONATHAN Real life example Kirkham and Loft, 1993 Gender was used as the primary means to upgrade accounting while down-grading bookkeeping and clerking. Not all shoes are created equally.
[Audio] JONATHAN White voice Authenticity, identity and barriers to true diversity and inclusion in the workplace.
[Audio] ANOUK Fit into the glass slipper White voice Upstairs Power caller – status Rising through the ranks Outsider – rap scene – Steve Lift.
[Audio] ANOUK Ugly step-sisters Some people cannot modify their social identity Downstairs at RegalView.
[Audio] ANOUK Two questions Could the white voice be a white male voice? Would Detroit have a harder time trying to raise through the ranks based on her intersecting gender- and race identities? Langston no power caller?.
[Audio] ANOUK. DON’T BE THE LEAF THAT FLOATS DOWN THE RIVER. BE THE STONE THAT SPLITS THE STREAM..
[Audio] ANTONIO. white voice scene: at KKklansman movie (inspired in true facts) a policemen in Colorado succeeds to get information by phone from members of the kukluxclan, in a smart exercise of emulating other´s discourse.
[Audio] . REFERENCES. Ashcraft, K. L. (2013). The Glass Slipper: “Incorporating” Occupational Identity in Management Studies. the Academy of Management Review, 38(1), 6–31. https://doi.org/10.5465/amr.2010.0219 Duckworth, S. (2020). Intersectionality [Infographic]. Flickr. https://flic.kr/p/2jy46K4. CC BY-NC-ND 2.0. Gallagher, B. (2021, 21 mei). ‘Sorry to Bother You’ is a masterclass in intersectionality. The Daily Dot. https://www.dailydot.com/irl/sorry-to-bother-you-intersectionality/ Kirkham, L., & Loft, A. (1993). Gender and the construction of the professional accountant Accounting, Organizations and Society, 18(6), 507–558. https://doi.org/10.1016/0361 3682(93)90002-n Touré. (2021). Sorry to bother you: Is this the most shocking anti-capitalist film ever? The Guardian. Consulted from 28 april 2024, van https://www.theguardian.com/film/2018/aug/19/sorry-to- bother-you-is-this-the-most-anti-capitalist-film-ever The origin of the term ‘intersectionality’. (z.d.). Columbia Journalism Review. https://www.cjr.org/language_corner/intersectionality.php.