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B EHRUZ ÇİNİCİ

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(1932-2011)

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About Life

He was born in Istanbul in 1932

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He graduated from ITU faculty of Architecture in 1954

His first prize , in 1956 , “Ankara Y ı ld ı r ı m Beyazıt Bazaar"

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In 1961, he won the first prize together with his wife Altuğ çinici , the "Middle East Technical University campus"

kişi, iç mekan, duvar, kadın içeren bir resim Açıklama otomatik olarak oluşturuldu

In 1995 , he received the International Aga Khan Architecture Award together with his son Can Çinici , the TBMM mosque

kişi, açık hava, adam, siyah içeren bir resim Açıklama otomatik olarak oluşturuldu

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He died on 18 October 2011.

Behruz Çinici seems to have a design approach that meets the demands , takes into account urban integrity , and addresses urban and environmental problems .

In addition , his designs contain movements of currents such as Brutalism , which dominated the last quarter of the 20th century .

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METU Faculty of Architecture, designed by Behruz Çinici and Altuğ Çinici couple, emerged as a result of the competition organized for its campus and buildings in 1961. The faculty, whose construction started in 1962 after the competition, was completed in 1963.

ODTÜ

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METU Faculty of Architecture consists of corridors, nested courtyards and galleries. The different buildings attached to Alle in the project are designed with a spatial setup that will provide indoor-outdoor permeability.

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A symmetrical planning approach The faculty library and the auditorium c onnected to the main mass with a semi-open arcaded connection .

bina, açık hava, ev, eski içeren bir resim Açıklama otomatik olarak oluşturuldu

açık hava, ağaç, bina, sundurma içeren bir resim Açıklama otomatik olarak oluşturuldu

ağaç, açık hava, zemin, bina içeren bir resim Açıklama otomatik olarak oluşturuldu

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The main entrance a square space but this is not fully felt on the ground floor .

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Stairs are not hidden anywhere in the building but are emphasized with a sculptural expression.

açık hava, ulaşım, su taşıtı içeren bir resim Açıklama otomatik olarak oluşturuldu

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Using bare concrete, marble, brick, wood, etc.) together with their raw forms . T he vertical windows are fitted to a certain modulation and the structure is readable.

bina, boş içeren bir resim Açıklama otomatik olarak oluşturuldu

şehir içeren bir resim Açıklama otomatik olarak oluşturuldu

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I n order to benefit from sunlight in the large interior volumes that arise, openings have been left in the ceiling and upper walls.

metin, bina, taş içeren bir resim Açıklama otomatik olarak oluşturuldu

bina, merdiven, adım içeren bir resim Açıklama otomatik olarak oluşturuldu

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When we look at their contemporaries around the world during the years when the Çiniciler were working on the Çorum Bin Evleri Project, we can talk about architectural production, which was discussed in the axis of concepts such as openness, pluralism and participation. In addition, it constituted an important source of sociological research related to the region during the years it was studied.

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BİNEVLER

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It is desired to create a strong fluidity between the spaces by using as little partition walls as possible in the houses. It was designed in a similar place to the place called Harmanlık , which is widely used in traditional Çorum houses.

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As one of the studies conducted in Turkey, the Bin evler project is valuable in that Altug - Behruz Çinici not only produces in accordance with the criteria brought about by process focus, but also in that the participant conveys his beliefs about production.

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This approach makes the Bin evler building cooperative one of the vanishing examples that can be evaluated on the axis of concepts such as openness, pluralism, participation, sustainability, which are often pronounced today, along with feelings of ownership and belonging.

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It is closely related to analyzing, using, transforming the physical and social data transferred specifically to the Binevler Building Cooperative and the realization of this process together with the people of the region in both the design and implementation phases.

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D esigned in 1970

BURHANİYE AR-TUR HOLIDAY VILLAGE

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62 1/200 63 nelu blok vaziyet planc site plan 63 sluet 1-200

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T he transportation scheme consists of vehicle roads serving from the rear to the residential areas and pedestrian roads that pass parallel and perpendicular to the slope.

çayır, açık hava, bina içeren bir resim Açıklama otomatik olarak oluşturuldu

1/200 63 nelu blok v-vaziyet planl site plan

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It was formed by sliding from each other in the plan and gradually sitting in the field on sloping slopes.

l' 200 63 blok vaziyet plani- site plan Sluet

c.c görüni elevat b-b kesiti section

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O ne of the most striking features of the facade is that many different materials are used together in their completely natural form.

çayır, açık hava, bina içeren bir resim Açıklama otomatik olarak oluşturuldu

bina, açık hava, gök, çayır içeren bir resim Açıklama otomatik olarak oluşturuldu

bina, çayır, açık hava, ev içeren bir resim Açıklama otomatik olarak oluşturuldu

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Selected geometric, basic forms, the idea of detaching buildings from nature, simplicity in the materials used, etc. They are rationalist items.

1/200 - 43 nalu blok vaziyet site plan

çayır, açık hava içeren bir resim Açıklama otomatik olarak oluşturuldu

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açık hava, bina, gök, çayır içeren bir resim Açıklama otomatik olarak oluşturuldu

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TBMM MOSQUE

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The building deliberately avoids the monumentality ( neo-classical style ) of the TBMM Complex in which it is located , leaving the traditional mosque architecture and proposing a new design .

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When settling in the Assembly Complex , which extends in the north-south direction , the structure creates a orientation arrow or even a circulation distribution point in the area .

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Religious space is distinguished from the architectural habits of the past , defined by the processing of form, space and light , and landscape - building relationships .

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The qibla wall is completely transparent , and the mihrab forms an outward-facing glass niche with a rectangular plan.

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The minaret of the mosque is designed as a two-stage platform, and a cypress tree , symbolizing the vertical effect of the minaret element, is also located at the point where the ladder reaches .

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TH ANK YOU FOR LISTENING TO US Hanife ALKAN-170501019 Mahmut Mert BİTER-170501051 Tayyibe KORKMAZ-170501031

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Akçal. A.H.(2002) Yüksek Mühendis Mimar Behruz Çinici Yapıtlarının Analizi. Yayınlanmamış Yüksek Lisans Tezi. İstanbul Teknik Üniversitesi Fen Bilimleri Enstitüsü. Merdim. E(2016). TBMM Camisi. https://www.arkitera.com/proje/tbmm-camisi/ 12 Mayıs 2021 (2008)TBMM Cami (Meydan-İbadet-Kitaplık)- Behruz Çinici https://www.mimarizm.com/makale/tbmm-cami-meydan-ibadet-kitaplik-behruz-cinici_113494 10 Mayıs 2021 Behruz Çinici. http://www.arkiv.com.tr/mimar/behruz-cinici/7249 10 Mayıs 2021   Behruz Çinici (1932-2011).< http://www.kimkimdir.gen.tr/ kimkimdir.php?id =6697 > 13 Mayıs 2021 Orta Doğu Teknik Üniversitesi (ODTÜ) Mimarlık Fakültesi. http://www.arkiv.com.tr/proje/ortadogu-teknik-universitesi-mimarlik-fakultesi/7915 11 Mayıs 2021 Korkmaz. G (2018). Çiniciler’in Beton Çocukları: ODTU yerleşkesi http://kot0.com/cinicilerin-beton-cocuklari-odtu-yerleskesi/ 11 Mayıs 2021

Akçal. A.H.(2002) Yüksek Mühendis Mimar Behruz Çinici Yapıtlarının Analizi. Yayınlanmamış Yüksek Lisans Tezi. İstanbul Teknik Üniversitesi Fen Bilimleri Enstitüsü. Merdim. E(2016). TBMM Camisi. https://www.arkitera.com/proje/tbmm-camisi/ 12 Mayıs 2021 (2008)TBMM Cami (Meydan-İbadet-Kitaplık)- Behruz Çinici https://www.mimarizm.com/makale/tbmm-cami-meydan-ibadet-kitaplik-behruz-cinici_113494 10 Mayıs 2021 Behruz Çinici. http://www.arkiv.com.tr/mimar/behruz-cinici/7249 10 Mayıs 2021   Behruz Çinici (1932-2011).< http://www.kimkimdir.gen.tr/ kimkimdir.php?id =6697 > 13 Mayıs 2021 Orta Doğu Teknik Üniversitesi (ODTÜ) Mimarlık Fakültesi. http://www.arkiv.com.tr/proje/ortadogu-teknik-universitesi-mimarlik-fakultesi/7915 11 Mayıs 2021 Korkmaz. G (2018). Çiniciler’in Beton Çocukları: ODTU yerleşkesi http://kot0.com/cinicilerin-beton-cocuklari-odtu-yerleskesi/ 11 Mayıs 2021

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